I have such a passion for what I do (nearly) every day. I love making portraits. I love people’s faces. I love figuring the ways to light, to mold, to sculpt with light and shadow. The proper way to light someone is to light not only their “outsides” – but to enlighten their insides. People of all shapes, sizes and ages have all sat for me, and all have been astonished of the beauty we discovered. There is nothing like watching someone who doesn’t (has never?) feel wonderful about themselves discover how others see them. The astonishment grows slowly across their face, resulting many times in tears.
Through some outside forces to SnowPro, I started to concentrate less on commercial work and more on women’s beauty portraiture. Last year, we (my clients and I) created some beautiful images. I rediscovered my heart in photography through this endeavor. But, alas, I must put this aside. Family and life changes have become priority and other choices have been made. I’ve made them.
At this point, we have a few Commercial portrait sessions scheduled, but I will not be looking to book more after March. Going forward, I will only be accepting very specific commissions based on the type of art I want to create.
We will still work with our small business partners who book us regularly for products and places, but I will be turning my focus to the home front this year.
I encourage you to look at our shop, right now, as we have a variety of landscapes, mission work and Italy. More images will be added everyday. If you need a different size, let me know. Future products will include stationary and note cards featuring our work and other cool items.
Photography is a fascinating career. However, if you are just starting out with an interest in taking photos, the question sometimes arises – “What types of photos should I take?” This is not such an unusual question, after all, there are a multitude of interests in which photography can play an integral part. I usually divide photo-topics into three separate categories: People, Places, and Things. In fact, all my images are divided into these three file folders.
In order to begin to fill up this file folder you first have to honestly answer a very important question – “Do I like people?”. While this question may seem like a silly one, it should be answered. Are you a people person? Do you like meeting new people and enjoy making new friends and relationships? Are you the type of person who starts up casual conversations with people with whom you are sharing a checkout line, or waiting for a bus? If you are, then photographing people should be a natural direction for you. This type of photography could involve Portraits, Events, Photojournalism, Fashion, and many other styles that involve your camera and people’s faces, bodies, clothes and gatherings. It’s all about people. And, since there are over 7 billion people currently residing on this planet, you will run out of time before you exhaust the targets that your camera can photograph.
This file folder is easy for me to fill. I like to record beautiful places, places that fill me with joy and bring tears to my eyes. I have been fortunate to travel many places, Taiwan, England, Ireland, Venice, Rome, but the most beautiful places that stir my passions are the National Parks in the U.S. If you love traveling, then this type of photography is certainly for you. In fact, this is an all-inclusive style that unites, people, places, and things in your repertoire of targets, and can be deposited in any of the three file folders. But for some, this type of photography boils down to what is referred to as Landscape Photography. This is the style we see from such greats as Ansel Adams, Eliot Porter, David Muench, and others whose books line the photography shelves in numerous libraries throughout the country. Some landscape photography concentrates on the grand sweep of nature and is best photographed with wide and ultra-wide lenses. Some landscape photography zeros in on the lichens, flowers, and the smaller, more intimate aspects of nature’s realm. Much of the landscape photography we see lies somewhere in between, and, depending on which part of the landscape the composition highlights, can concentrate on the sky, mountains, trees, water, or any number of features that can be found in any number of locations.
This file folder can contain just about anything that isn’t predominately people and places, and can include images of birds, beasts, and natural and man-made “things”. “Product Photography” can have it’s own sub-folder under “Things”, and can include products that clients need to advertise. These may be, but are certainly not limited to, Jewelry, clothes, kitchen utensils, sunglasses, soft drinks, Bourbon, automobiles, and anything that a client may need to photograph for advertisement. Another folder may include aircraft, boats, bicycles, or ceramic vases. The “Things” folder can become quite large with numerous sub-folders that all count as “Things”. As this article points out, photography has a wealth of targets just waiting to be “shot”. One thing that you should do first, sometimes even before you invest in a “good” camera, is to decide what type or style of photography you enjoy. Usually, this is pretty easy. You ask yourself, “What type of photography do I like to see?”. Once you determine your preference, it will drive everything else you do or buy in your quest to make the images that inspire you the most.
Bryan and I are “softly” shopping for our retirement home. We go through this periodically, and this week we are in Sherman, Texas. Some list says its one of the best places in Texas to retire. As you may know, I love Texas. But it is a real Love-Hate relationship – love lots of stuff but OMG -the summers. So, we want 4(ish) seasons. Sherman and the surrounding area seems to fit the bill.
We’ve found 3 properties we are going to look at this week, all acreage with a small house. (Picture that – me on a tractor.) I called my real estate GUY (you know, the “i’ve got a GUY”) who I work for occasionally to set me up and rep us as a buyers agent. But this post isn’t about that.
This post is about the fact that every single listing has abysmal photographs. EVERY SINGLE LISTING. The landscapes, pretty easy – don’t blow out the sky, make sure the grass is green, saturate the colors. oooh, pretty. But really, the interior photographs? the lines are crooked, the houses are covered in clutter, the angle of view is too narrow. Its nuts.
As mentioned before, we do some work for my real estate GUY. We photograph his houses for him. I get the address, we schedule an appropriate time making sure the house is tidy & clean, the yard is tidy and clean and finally, making sure all technical aspects of the photography itself is correct. Do we cost him a bit more than than him doing it himself? Yes, you bet. But remember, this is marketing. It’s deductible, and if it pays off, it pays off big.
According to my GUY, once I give him the photographs, and he lists the property, he has it sold within 2 weeks. I think it may be shorter, but don’t make me lie. We had one go longer, but it had other problems.
Many of the houses that we saw on the sight: listed for over 3 months. Just food for thought.
(P.S. Who is my GUY? Only the biggest real estate agent in San Antonio. Christopher Thompson of Realty Force. His number is 210-739-9244. Give him a call! He is delightful!)
Did you know portraits have a “shelf life”? Just like those shoulder pads! If you’ve not had a formal portrait done in over 3 years, its time!
I love this photo of my mom and my sister. I wish I remembered what we were doing, but we were certainly happy! Is it dated? Yes! But as a snap shot, it is a snippet of that day which I will cherish. If I tried to use a cropped version (of me) as an avatar for social media or Linked In, well, let’s just say that I would be unrecognizable. People would walk away, scratching their head. Don’t let that happen to you!
Just mosey on over to our Portrait Services page to see how we can help. It won’t cost as much as you think! We’ll put together a current portrait that will not only reflect who you are now, but won’t be as dated as this one is!
Many times in our lives we meet people who are awesome. Just quietly awesome. They do not demand your attention. But, darn it, you end up thinking about them for a variety of reasons. I met just such a person last year. I was volunteering for a political organization and through my community organizer, I met Katie. Actually, she is the organizer’s wife. Don’t get me wrong, I feel that her husband is a force to be reckoned with – and will go FAR, but Katie matches his enthusiasm pound-for-pound with incredible quiet grace and commitment. She is a special education teacher, just finished with her time with the Teach for America program where she taught in the poorest and most overlooked neighborhoods. She is, in truth, a compassionate, strong young woman with a bright future.
Alex (her husband) called me this year (I did their family portraits last year) with an idea for their 3rd anniversary. I was in the midst of changing the way I create individual portraits from the cookie cutter, 3 light – set up to a simpler, more natural set up and I said “sure! . . . If I can shoot in this new style, as it involves a bit more ‘input” from the client and what we end up with are closer to fine art images. The final product, printed carefully on fine art paper is likened to a fine art print.” More pretty, less casual. More planned, less contrived.
So, she came over one Saturday after we planned her wardrobe and her style. She came armed with a couple of beautiful dresses, and clean face and hair. Since they had opted for the “full treatment” we hired a hair and make-up artist, Sierra Scerato, from Hair Refinery Studio to come to create some different looks. We had a nice afternoon, Katie, Sierra and I, just being girls!! (Alex came after for some executive portraits and of course, the requisite couples portraits. We missed their black lab, Ann!)
Here is a short video I created of all my favorites:
If you would like to book a session with me, feel free to contact me!
If you would like more information on this type of photography and what I am offering, click here!
As I said in a previous post: “bear with me”. I hope the wait was worth it.
I have taken a little time away, both from the work-a-day world and from SnowPro to catch my breath. Upon my return to this country, I embarked on a different path. This is the path to explore the feminine and the strength and soul found within. Here is what I’ve discovered so far.
What is “e”?
Elegant. Enchanting. Exquisite. Exclusive.
I am calling these sessions “e-Sessions by SnowPro” as a transitional identifying mark. What do I mean by e-Sessions? Its just a way to differentiate what I am creating today from my more commercial projects. It may change in the future, or stay the same. (update: I have changed the name.) I don’t know yet.
Currently, I am a pretty laid back photographer – one to deliver proofing online for your viewing & ordering pleasure. With this hands off approach, I never knew how my clients experienced the initial viewing. How the images were and are received and worst still, if they had any feedback (positive or negative) to offer. I was just a person to take their pictures. Sure, I tried to make the experience as pleasant as possible and to deliver prints at a level that delight. But at some point, the sessions were just fulfilling someone else’s ideas of quality. Not mine. Photography, and especially Portrait photography takes time and control which means planning. And this new style will take planning. And you, as my future client, will be very involved (see the ‘exclusive’ in the sub-title). By planning, we will create images that will not only capture your likeness at this time in your life, but also your being, especially if you bring someone else to experience this with you (husband, daughter, sibling, mother, partner or even your BFF).
The first meeting will be one where I get to meet you, to spend time with you discussing who and what you are. To see any “visual aids” you can think of to help me create for you. These can be a photo of your favorite dress, a page torn out of a magazine or even a pic on your phone. We will discuss the process and the expectations at length and leave with a schedule of the session day and the reveal day for you.
Each of the steps takes time.
Step 1. Estimate 1.5 hours for the planning session. This should be done at your place, so I can see your favorite dresses and we can really see what wardrobe we have to work with. I can offer ideas and get those creative juices flowing.
Step 2. Estimate 3-5 hours including Hair and Makeup. This is done at the studio or another suitable place. The photography itself will take the least amount of time. But changing, talking, . . . well, the experience is more of a girls’ afternoon of snacks and dress-up. Remember those days? This can be as soon as the day after the planning meeting to as long as 2 weeks after the planning meeting.
Step 3. Reveal day! You (and your partner) will come to the studio to see the session favorites – completely retouched and finished. Printed and Matted. No more proofing online, no more submitting orders online wondering if the order went through. No more unanswered questions.
See? I’ve upped my game. I am promising to deliver portraits that defy the self image you hold. Images that you would be proud to hang on your wall, to pass down to your family and give to your friends.
Wow. That’s a lot. And I have a headache… but I am very excited. I will be reaching out to all those who have agreed to be my models in the next 2 weeks. I thought I would be ready to start the sessions this June, but it will have to be in July.
Download the e-Sessions Welcome pdf here. It contains a bit more information and details.
(A guest post from my partner in crime, my husband, Bryan)
When initially planning a trip to Venice, I had all kinds of preconceived ideas of what type of photographs I would be taking. After all, Italy is one of the most photogenic places on Earth, and I would be remiss if I didn’t plan to take advantage of it. Along with those ideas I began to mentally list all the photographic equipment I would need to take.
I’m not a people-person. For nearly 40 years I dealt with people; hundreds of people per day, and I have no desire to do that if I have a choice (and, being retired, I do). So, my choice of photography naturally falls towards landscape, both natural and man-made. With Venice, what would be more appropriate than the perfect image of the canals.
After much discussion with my wife/travel/photographic partner we decided on a tour of Venice, Florence, and Rome (in that order). We would spend three days in each city, and while we knew that it was not a lot of time, we would extend that by going three days early to Venice before the tour actually began.
Once the tour decision was made it was time to decide on what equipment to take. I initially planned to take a large backpack with as much photo gear as I could fit on my back and extra gear that I could drag along with me. Not being that experienced with trips to foreign countries, my initial idea was to just take everything with me that was physically possible. That would include lenses (from fisheye to telephoto as well as tilt/shift lenses), DSLR camera as well as a backup, lens hoods, CF and SD cards, filters and filter holders, tripods, tele-extenders, cable releases, rain sleeves, and a laptop for tethering (and a backup laptop just in case) as well as two external drives for the laptops.
Since I like to shoot landscapes, especially panoramic landscapes, I also wanted to take my GigaPan Epic Pro to be able to capture some really BIG landscapes. The GigaPan travels in its own backpack complete with battery, charger, and backup battery.
The information we received from the tour company offered some suggestions which began to worry me. Their instructions said, basically, travel light! Travel with a backpack for clothes and a small carry-on for cameras and the like. That didn’t bode well.
My big LowePro backpack was not going to fit as a carry-on, which meant I would have to check it at the airport. Putting tens of thousands of dollars worth of photographic equipment at the mercy of the TSA didn’t inspire me with confidence; which meant that I would have to trim down my photographic equipment expectations.
Ok, where were we going and what images did I need to capture once there? Venice – lots of canals, bridges, lots of old buildings, gondolas, some historical churches, and Italian restaurants. Florence – magnificent artwork/sculpture (including Michelangelo’s “David”), historical buildings and anything DiMedici, and Italian restaurants. Rome – everything, the Pantheon, the Roman Forum, The Vatican (technically it is another country but it’s in the vicinity), the Sistine Chapel, St. Peter’s Basilica, the Vatican Museum, the Apian Way, and, of course, Italian restaurants.
What did I need to photograph each of these? One DSLR, no back-up. Wide angle lens – a 24-70mm f2.8 zoom. Buildings need perspective control lenses – so a 24mm and 45mm Tilt/Shift lens. Telephoto lenses – a 70-200 f/2.8 zoom lens. Might need to shoot buildings from up close so – a 15mm fisheye lens. Decided to also include a Sony point ‘n shoot to put in a vest pocket for shots I might want when I don’t have the regular photo gear at hand. Tripod. Ok, I have a BIG Manfroto tripod that normally holds my 4×5 Large Format camera or it holds my GigaPan Epic Pro panoramic gear, but it is too big to carry on the plane. Same problem with the full size carbon fibre legs. I decided to buy a small (14 inch long without head when folded) travel tripod that would fit inside my carry on backpack. All of this (except the tripod) fits inside a LowePro Event Messenger shoulder bag, so I figured I was set. There was also a pocket in the bag that would hold my iPad, so we headed off to Italy.
ANALYSIS WITH HINDSIGHT:
With all that planning and with the decision that was made on the photo gear, how did that work out? Well, for the most part, it was adequate to good, with some exceptions. First of all, the Event Messenger bag contained the following: Canon 5D MkII DSLR camera, 24-70mm f/2.8 Canon zoom lens, 70-200mm f/2.8 Canon zoom lens, 24mm Canon T/S lens, 45mm Canon T/S lens, 1.4X Canon tele-extender; extra battery for DSLR camera, 3 extra batteries for Sony point ‘n shoot, mini table-top tripod, extra CF and SD cards for cameras, assorted hex-wrenches for adjustments to tripod and quick-release tripod mounts. The travel tripod was carried in my hand.
I must say that the camera bag on my shoulder was uncomfortably heavy. I would have to move it to the other shoulder periodically or cross the strap over my head to shift the weight. I would carry the bag from 8:00 AM to 10:00 PM every day and it took its toll. What would I do differently after that experience? I would have left the heavy 70-200mm f/2.8 zoom lens at home, as well as the tele-extender. Some people would suggest that I not take such a fast, heavy lens and replace it with a 70-200mm f/4 lens. The problem is that many of the locations could not be photographed with a flash and it was dark enough that the ISO had to be raised to the 2000-6400 ISO range and a slower lens would not have be able to capture some of the photographs. Also, I shot more landscapes and buildings and the medium telephoto zoom lens really wasn’t used that much. Had I not taken the 70-200mm zoom I would have still returned with 95% of the photos that were taken on the trip. In reality, I could have gotten 90% of the shots I took on the trip with just the 24-70mm f/2.8 zoom lens.
If I was going to go on the Italy trip tomorrow, here’s what I would carry as far as photo gear. A DSLR camera with a 24-70mm f/2.8 lens and lens hood. Extra battery and CF cards. The camera and lens would be placed on a harness system on my hip. And that would be it. Simple, not heavy, and I would be able to get all the photos I would need. This would work on a tour in the cities. If I was going somewhere else where I would have access to a vehicle I would bring more gear tailored for the targets I would be shooting. Advice – go light, go comfortable. In advance of your trip, if you are going to be shooting in cities or towns, take the time to go downtown wherever you live, and spend a day photographing. See if you are comfortable. See if you are shooting the kinds of images you will want to bring home. And last, but not least, have fun and take the time to view the sights with your eyes and heart and, not just through the viewfinder.
Call it following my heart. Call it changing focus. Call it the call of the wild. What ever you call it, SnowPro is changing.
When Bryan and I take road trips, (and we have taken several in the past 3 years) we talk & talk. One of the reasons why we are still together after 30+ years. We always have something to say. During our trek to Yosemite, he mentioned that the spark was gone from my eye for photography. Apparently, I used to get so excited designing lighting or if I would be able to manipulate the existing light that would help illustrate a client’s concept. I thought hard about that statement and I agreed. He asked why? What would bring it back? We talked about the subjects that excite me. Traveling, flowers, spring time, strength and consistancy. We were working on our macro floral project at the time, and we talked at length about that since it was in the working stages and is exciting and frustrating at the same time. I realized that consistency of my own vision was gone because I was always concentrating of creating someone else’s vision!
So we talked about changing the direction of SnowPro. Not that I didn’t enjoy the work I received (I did) or that it wasn’t rewarding (it was). I just felt there might be something more. Something that I had forgotten in my press to make a living. I felt that “something” was a deeper connection to the photography I was creating. As a commercial photographer, I never had a dog in the fight. I brought the tools and the know how, my clients brought the spark of inspiration and concepts. Sometimes it was conceptual or illustrative, sometimes I simply captured what was in front of me without added art direction. But in reality, I had no “dog in the fight”.
Illustrative studio work
Illustrative studio work
Illustrative studio work
Congressman Jeff Flake during a private speech.
GOP Presidential Candidate Romney
Mayor Julian Castro speaking at a private function about PreK for SA.
Examples where I captured great images for someone else’s vision.
One of the other things that I felt strongly about is the apparent (to me anyway) loss of strong and feminine archetypes. Not strength via the body building type and not uber passivity, but the strength illustrated in some of the ancient, yet iconic mythologies of women. You may love her or hate her; but Angelina Jolie’s Maleficent was perfect. Those characteristics of being nurturing, providing safety, but yet, don’t F– with me, all rolled into one.
I have always drawn women. I have found the curves that are inherent within a female form easier to draw than the more angular masculine. I think that may be because I never studies life drawing more than what was required for my Graphic Design degree. Men simply mystified me. (Shocking but true). A woman’s face, the openness and the softness, the depth of spirit are simply easier for me to understand. Unfortunately, I stopped drawing altogether when I became a mother 27 years ago. Stopping was not a bad thing as doing a finished graphite fine art portrait was an emotional journey for me, and I had to place my creative energy, life and soul into moulding and guiding a tiny life! (Altogether a very gratifying experience – one that doing a fine art portrait pales in comparison too!) Simply put, I don’t think I had the stamina to keep it up.
Now that small life is a secure, talented, amazing young adult, I can turn myself back to my first desires. To illustrate and to create portraits of strong, archetypal women who may or may not be REAL women. BUT, make no mistake, the “models” I want to use are real women; my neighbors, my past colleagues, my past clients; I want to create soft yet strong, soulful and heartfelt fine art portraits of my amazing family, friends and future clients.
I am using our upcoming “road-trip” as a break to reset my mind and soul. To renew and refresh myself and to gather inspiration from the sights in Venice, Florence and Rome, as its a new way of photographing people for me in general (aka: going back to the basics and accomplish a complete new mindset for me) and in May complete a minor retooling of the studio and equipment used to capture the components of each portrait. SnowPro will continue to create photography to support my current & future clients but I, personally, will be concentrating on creating these fine art portraits of women: mothers, daughters, friends, old and young throughout the summer. I hope to share some behind the scenes videos and share some works in progress as I continue to grow and stretch and learn.
And to be sure, Bryan has supported me, and continues to support me in these endeavors. While his focus has been and always will be astronomy, astrophotography and landscapes, he supports my renewed vision. He is and always has been an emotional rock and steadying hand when I needed one. Without him, this new chapter would not be possible. I ask that you bear with me, and accompany me on this journey.
If you would like to be one of my models (I need several more), contact me!
Just a quick post of what Bryan and I are up to this weekend. We’d like to invite you all to come to the On and Off Fredricksburg Road Studio Tour. We are thrilled to be included as guest artists in this 8th year of this wonderful art walk.
We have worked on this series on display at Deco Pizzaria (located at 1815 Fredericksburg Rd. in the heart of the Deco District, 210.732.DECO) for the past two years.
About the series:
In this fine art photographic series, we explore the inner beauty of flowers. Each unique bloom is filled with fantastic color and texture. Since one cannot see these views with the naked eye, the Snows use special photographic equipment to help capture these sensual images, making the small details into works of art. Creating these intimate portraits stretched and ignited their imaginations — they hope viewing them does the same for you.
Georgia O’Keefe said it best:
“When you take a flower in your hand and really look at it, it’s your world for the moment.
I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower.
I want them to see it whether they want to or not.”
So, take a moment to stop and “smell” the flowers this weekend at the Deco District.
Preview of our show (this images are suspended in the windows of Deco Pizzaria and at a minimum are 20 x 30 inches.) You have to see them!